Audrey ( Yi-Han ) Chou
A/V Artist | Researcher | Choreographer
New Media Artist & Researcher & Choreographer
MPS NYU Interactive TelecommunicationBFA Parsons Fashion Design Major
BA Lang Contemporary Dance Minor
Artist Bio
Yi-Han (Audrey) Chou is a Transcultural Media Artist & Choreographic Researcher working across time-based and embodied mediums.
Her multidisciplinary research spans interactive & real-time system design, experimental filmmaking, site-specific performances, durational performances, audio-visual, sound design, and immersive production. Through cross-disciplinary frameworks, She explores themes of dysphoria, displacement, and sonic landscapes—centering embodied storytelling as a method of artistic inquiry.
She practices and investigates the intersections of movement, identity, and sensory perception, drawing on cultural memory, ecological awareness, and temporal healing as conceptual anchors, where she is constantly researching in between institutional and commercial relationships, social and personal structures, as well as languages that connects the in-betweenness of things across phygital platforms .
Her works experiments across time and space, searching for narratives that seek to find connectivity across people, places, and things.
Audrey’s work has been presented at venues and platforms including Taiwan Contemporary Culture Lab, Submarine Gallery, Taipei American School, BRIC.TV, UAAD, Anthology Film Archives, Dance Film Lab at Gibney Dance, ARTECHOUSE, La MaMa Culture Hub (Artiface), Abrons Art Center, The Juilliard School, Tandon Navy Yard, The Wrong Biennale, Center of Performance Research, The Theatre Lab, and Accent Sisters. Her films have also been selected by Canadian Screen Award–qualifying festivals.
She is currently avilable to work with Brands, Agencies, and Institutions
For Work & Collaberation, please email: audreychou2021 [ at ] gmail [ dot ] com
Tools: TouchDesigner | Max/Msp | Ableton | MadMapper | Arduino | AI | Figma | Adobe CC
Skills: Directing | Producing | Creative Stratergy | Choreography | Creative Direction | Sound Design | Performance | Concept & Narrative Development | Research
Artist Statement
My work navigates the liminal landscapes between the digital and the corporeal, where the self is both container and conduit—a vessel of gesture, image, and memory in perpetual motion. Rooted in postcolonial Taiwanese identity and shaped by diasporic drift, I engage the body as interface, oracle, and passage—a site of becoming, shaped by ecological, technological, and historical tides.
Guided by posthumanist thought, somatic intelligence, and poetic futurism, I create time-based environments and movement-centered works that blur the boundaries between nature and machine, presence and projection, ancestry and data. The unseen—what lingers beneath perception—becomes tangible through real-time sensors, audio-visual reactive lights, and generative soundscapes, where bodies imprint onto space like weather systems: transient, emotional, and mutable.
Time, for me, is not linear but cyclical, layered, and polyphonic. I explore how rhythms of breath, gesture, and light can fracture or expand perception—revealing the elasticity of presence. Through speculative choreographies and systematic interfaces, I construct hybrid worlds where identities flow, architectures breathe, and gestures archive complex histories of cross-cultural entanglement.
My practice is a meditation on impermanence and an inquiry into becoming—a slow metamorphosis across systems, myths, and networked terrains. By weaving together the seen and unseen, the felt and the remembered, I seek to awaken the senses, activate memory, and cultivate vulnerability as a form of resistance. In this space, time dilates, space listens, and the body becomes both storyteller and archive—a living interface between past, present, and speculative futures.